https://www.mariodrgona.com/portfolio-collections/my-portfolio/project-title-1 2025-06-06 https://static.wixstatic.com/media/8bb438_74a3bf004fde4086b26b6660e6c9388f~mv2.jpg/v1/fill/w_2400,h_2399,al_c/8bb438_74a3bf004fde4086b26b6660e6c9388f~mv2.jpg https://static.wixstatic.com/media/8bb438_0cc361abbcd24e3e8ee75a03debae4e1~mv2.jpg/v1/fill/w_2500,h_1667,al_c/8bb438_0cc361abbcd24e3e8ee75a03debae4e1~mv2.jpg https://static.wixstatic.com/media/8bb438_c9fd1a919197454195f06771f15741f2~mv2.jpg/v1/fill/w_2400,h_3601,al_c/8bb438_c9fd1a919197454195f06771f15741f2~mv2.jpg https://static.wixstatic.com/media/8bb438_af2ac817423a411c96be0dc8f77f285e~mv2.jpg/v1/fill/w_2400,h_3601,al_c/8bb438_af2ac817423a411c96be0dc8f77f285e~mv2.jpg https://static.wixstatic.com/media/8bb438_fc5550aef11c4808b33f20f2dae8534e~mv2.jpg/v1/fill/w_2400,h_3600,al_c/8bb438_fc5550aef11c4808b33f20f2dae8534e~mv2.jpg https://static.wixstatic.com/media/8bb438_4400b236f09943f3a60eaf257d0b67dd~mv2.jpg/v1/fill/w_2400,h_3600,al_c/8bb438_4400b236f09943f3a60eaf257d0b67dd~mv2.jpg https://static.wixstatic.com/media/8bb438_5a5f3ed461d94e72962fc8bf255d254d~mv2.jpg/v1/fill/w_2400,h_1600,al_c/8bb438_5a5f3ed461d94e72962fc8bf255d254d~mv2.jpg https://www.mariodrgona.com/portfolio-collections/my-portfolio/project-title-2 2025-10-16 https://static.wixstatic.com/media/f98f55_a3b051cf678540a7b010e17251457134~mv2.jpg/v1/fill/w_6048,h_4024,al_c/f98f55_a3b051cf678540a7b010e17251457134~mv2.jpg https://static.wixstatic.com/media/8bb438_3428fc6a187440ddbaeccd769dd02b87~mv2.jpg/v1/fill/w_2333,h_1556,al_c/8bb438_3428fc6a187440ddbaeccd769dd02b87~mv2.jpg Utópia či absolútna a skutočná rovnoprávnosť sú asi nemožné, ale je nevyhnutné sa o ne dookola usilovať. Obzvlášť v časoch, kedy sa v geo-politických súradniciach čoraz viac zamieňa kapitalizmus za demokraciu a represívne ideológie krajnej pravice sa dostávajú do čela smerovania starého kontientnu. Performatívna prednáška herečky Natálie Fašánkovej bez záchranného kolesa hodí do vody úvah o tom, prečo je divadlo problematické médium, pokiaľ ide o slobodu a rovnosť. Fašánková sa na základe zadania režiséra vydala do terénu, aby medzi respondentkami a respondentmi zistila, čo všetko bráni rôznym ľuďom, ktorí žijú na Slovensku, aby sa v divadle cítili skutočne slobodne. A cítia sa v ňom slobodne vôbec tí, ktorí v ňom pracujú? To a možno omnoho viac prezradí prednáška Utopia is now! Účastníci/čky budú spoločne uvažovať nad tým, prečo majú ľudia divadlo radi a vďaka tomu budú súčasne hľadať cestu k tomu, ako by mohli vyzerať ideálne ostrovy pozitívnej divadelnej deviácie. Divadlo by mohlo meniť veľa vecí k lepšiemu, ak by spoločnosť čo i len trochu chcela. Treba však začať teraz. 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